D\u00f6\u015femealt\u0131 Hal\u0131s\u0131, \u0130l\u00e7emizde ya\u015fayan Y\u00f6r\u00fcklerin y\u00fcz y\u0131llard\u0131r s\u00fcrd\u00fcrd\u00fckleri bir gelene\u011fin ad\u0131d\u0131r.<\/p>\n\n\n\n
As\u0131rlarca \u00e7ad\u0131r\u0131nda kulland\u0131\u011f\u0131 yayg\u0131, odas\u0131n\u0131n duvar\u0131n\u0131 s\u00fcsledi\u011fi fon, \u00fczerinde namaz k\u0131ld\u0131\u011f\u0131 seccade olmu\u015ftur. Gen\u00e7 k\u0131zlar\u0131n \u00e7eyizi, atlar\u0131n heybesi, kap\u0131 \u00f6n\u00fcn\u00fcn paspas\u0131 olmu\u015ftur. Ask\u0131da ki ekmek torbas\u0131, divanlar\u0131n \u00f6rt\u00fcs\u00fc, urbal\u0131klar\u0131n hurcu olmu\u015ftur. Anla\u015f\u0131lan o ki Y\u00f6r\u00fckler i\u00e7in hayat\u0131n bir par\u00e7as\u0131 olmu\u015ftur.<\/p>\n\n\n\n
Peki, sizce D\u00f6\u015femealt\u0131 Hal\u0131s\u0131n\u0131 di\u011fer Y\u00f6r\u00fck Kilimlerinden ay\u0131ran en \u00f6nemli \u00f6zellik nedir? \u00d6ncelikle bu soruya cevap arayal\u0131m.<\/p>\n\n\n\n
Her el dokuma kilim ya da hal\u0131n\u0131n kendine has dokuma stili, rengi, motifi, \u00e7\u00f6zg\u00fcs\u00fc vard\u0131r. D\u00f6\u015femealt\u0131 Hal\u0131s\u0131n\u0131n tezgah\u0131, \u00e7\u00f6zg\u00fcs\u00fc, rengi ve hatta d\u00fc\u011f\u00fcm \u015fekli, farkl\u0131 y\u00f6relerin hal\u0131lar\u0131yla benzer \u00f6zelliktedir. Hal\u0131m\u0131z\u0131 di\u011fer hal\u0131lardan ay\u0131ran en \u00f6nemli \u00f6zelli\u011fi tamamen kendisine has motiflerdir. Ba\u015fka hal\u0131larda g\u00f6r\u00fclmeyen motif \u00f6zelli\u011fine sahiptir. Koyunlar\u0131n y\u00fcn\u00fcn\u00fcn ipe d\u00f6n\u00fc\u015fmesi sonucu, b\u00f6lgede bulunan bitkilerin k\u00f6k boyas\u0131yla renklenen ipler tezgahlarda motiflerle \u015fekillenmesiyle bu g\u00fczelim hal\u0131m\u0131z ortaya \u00e7\u0131kmaktad\u0131r.<\/p>\n\n\n\n
Zaman zaman hal\u0131 motiflerinde ve renklerinde de\u011fi\u015fiklik denemeleri yap\u0131lsa da ayn\u0131 ahenk yakalanamam\u0131\u015ft\u0131r. Yap\u0131lan de\u011fi\u015fiklikler boyamay\u0131 ve dokumay\u0131 kolayla\u015ft\u0131r\u0131c\u0131 renkler ve motifler olmas\u0131ndan kaynakland\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcnebiliriz.<\/p>\n\n\n\n
Peki hal\u0131m\u0131z\u0131n temel \u00f6zelli\u011fini olu\u015fturan bu motifler nelerdir?<\/p>\n\n\n\n
D\u00f6\u015femealt\u0131 Hal\u0131s\u0131 orta g\u00f6bekte kullan\u0131lan yedi ana motife g\u00f6re adland\u0131r\u0131l\u0131r. Bu motiflerimiz Halelli, Toplu, Akrepli, Dall\u0131, Dall\u0131 Akrepli, Kocasulu ve Mihrapl\u0131 (Camili) dir.<\/p>\n\n\n\n
Bu yedi ana motifli tarihi D\u00f6\u015femealt\u0131 Hal\u0131s\u0131n\u0131n yan bord\u00fcr motifleri de \u015f\u00f6yle adland\u0131r\u0131lmaktad\u0131r. Geni\u015f motifler; Kocasulu, ve Eli Belinde de denilen Nacakl\u0131’d\u0131r. Dar s\u00fcslemelerde ise en d\u0131\u015fta d\u0131\u015f bord\u00fcr, Y\u0131ld\u0131zl\u0131 Be\u015f Ta\u015f denilen d\u0131\u015f bord\u00fcr hal\u0131n\u0131n de\u011fi\u015fmez motifidir. \u0130\u00e7 k\u0131s\u0131mda Develi, G\u00f6ynek Yan\u0131\u015f\u0131, Laleli Su, Mersin Yapra\u011f\u0131, \u00d6k\u00fcz Sidi\u011fi gibi farkl\u0131 bord\u00fcrler kullan\u0131lmaktad\u0131r. Albay suyu, motor izi, gibi bord\u00fcrler ise tarihi hal\u0131lar da g\u00f6r\u00fclmeyen sonradan olu\u015fturulmu\u015f motiflerdir.<\/p>\n\n\n\n
D\u00f6\u015femealt\u0131 Hal\u0131s\u0131n\u0131n standart bir \u00f6l\u00e7\u00fcs\u00fc yoktur. En ve boy \u00f6l\u00e7\u00fcs\u00fc i\u015flenen motiflere g\u00f6re ortaya \u00e7\u0131kar.<\/p>\n\n\n\n
Doksanl\u0131 y\u0131llara kadar \u015fehrimizde \u00fcr\u00fcn turizminde \u00e7ok \u00f6nemli yeri olan D\u00f6\u015femealt\u0131 Hal\u0131s\u0131, il\u00e7emizde bir\u00e7ok hanenin ge\u00e7im kayna\u011f\u0131n\u0131 olu\u015fturuyordu. \u015eehrimize gelen turist, D\u00f6\u015femealt\u0131 Hal\u0131s\u0131 almadan kentimizden ayr\u0131lmazd\u0131. Hatta di\u011fer turistik illerde bile D\u00f6\u015femealt\u0131 Hal\u0131s\u0131 satan d\u00fckkanlar g\u00f6rmek m\u00fcmk\u00fcnd\u00fc.<\/p>\n\n\n\n
Pazar\u0131n canlanmas\u0131 i\u00e7in Doksanl\u0131 y\u0131llar\u0131n sonlar\u0131nda, D\u00f6\u015femealt\u0131 Belediyesi Hal\u0131 Festivalleri d\u00fczenleyerek tekrar de\u011fer kazand\u0131rma \u00e7al\u0131\u015fmalar\u0131 y\u00fcr\u00fctt\u00fc. Eski de\u011ferine ula\u015famasa da tan\u0131t\u0131m ve unutulmamas\u0131 ad\u0131na bu t\u00fcr organizasyonlarla \u00f6nemli ad\u0131mlar at\u0131lm\u0131\u015ft\u0131.<\/p>\n\n\n\n
Kentimizde bulunan Kad\u0131n Giri\u015fimci Derneklerini, \u00dcniversiteler, Kooperatifler, Birlikler, zaman zaman hal\u0131m\u0131za eski de\u011ferini kazand\u0131rmak \u00fczere projeler ortaya koymu\u015flard\u0131r. \u00dcretimi te\u015fvik edici faaliyetlerde bulunmu\u015flard\u0131r. Bunda da hedeflenen sonuca tam anlam\u0131yla ula\u015f\u0131lamam\u0131\u015ft\u0131r. Ayr\u0131ca \u0130l\u00e7emiz Halk E\u011fitim Merkezi taraf\u0131ndan yeni dokuma ustalar\u0131 kazand\u0131rmak ad\u0131na Kurs Mod\u00fclleri a\u00e7\u0131lm\u0131\u015ft\u0131r. Hatta hal\u0131m\u0131z\u0131n motifleri el i\u015flemelerinde desen yap\u0131lm\u0131\u015ft\u0131r.<\/p>\n\n\n\n
2009 Y\u0131l\u0131nda D\u00f6\u015femealt\u0131 Belediyesinde Bas\u0131n ve Halkla \u0130li\u015fkiler M\u00fcd\u00fcrl\u00fc\u011f\u00fcn\u00fcn 2014 y\u0131l\u0131nda K\u00fclt\u00fcr ve Sosyal \u0130\u015fler M\u00fcd\u00fcrl\u00fc\u011f\u00fcn\u00fcn Kurucu M\u00fcd\u00fcrl\u00fck g\u00f6revlerini \u00fcstlendi\u011fimde benim i\u00e7in il\u00e7enin en \u00f6nemli tan\u0131t\u0131m fakt\u00f6r\u00fc D\u00f6\u015femealt\u0131 Hal\u0131s\u0131yd\u0131. Bu s\u00fcre\u00e7te Y\u00f6rex, Hestorex, City Expo, Emitt ve bir \u00e7ok ulusal ve uluslararas\u0131 fuarlar hal\u0131n\u0131n tan\u0131t\u0131m\u0131 i\u00e7in \u00f6nemli bir f\u0131rsat olmu\u015ftur. D\u00f6\u015femealt\u0131\u2019n\u0131n ge\u00e7mi\u015fin g\u00fczelli\u011fini modern hayat\u0131n \u00e7izgisiyle bulu\u015fturmu\u015ftuk. Co\u011frafi \u0130\u015faret Tescilini D\u00f6\u015femealt\u0131 Belediyemize kazand\u0131rarak hal\u0131m\u0131z\u0131n de\u011ferini bir kat daha artm\u0131\u015ft\u0131k.<\/p>\n\n\n\n
D\u00f6\u015femealt\u0131 Hal\u0131s\u0131yla birlikte D\u00f6\u015femealt\u0131\u2019n\u0131n Hal\u0131 Tarlalar\u0131n\u0131 g\u00fcndeme ta\u015f\u0131d\u0131k. Bu tarlalarda bir \u00e7ok sanat\u00e7\u0131lar\u0131n m\u00fczik klipi \u00e7ekimlerinin yan\u0131 s\u0131ra, Uluslararas\u0131 Haber Ajanslar\u0131n\u0131n bile dikkatini \u00fczerine \u00e7ekmi\u015ftir.<\/p>\n\n\n\n
Bu s\u00fcre i\u00e7erisinde hem hal\u0131m\u0131z\u0131 tekrar tozlu raflardan indirdi\u011fimiz gibi, hal\u0131yla birlikte il\u00e7emizin tan\u0131t\u0131m\u0131na b\u00fcy\u00fck katk\u0131 sa\u011flam\u0131\u015f olduk.<\/p>\n\n\n\n
Unutulmaya y\u00fcz tutmu\u015f tarihi k\u00fclt\u00fcrel de\u011ferlerimiz olan D\u00f6\u015femealt\u0131 Hal\u0131m\u0131z i\u00e7in bundan sonra hem y\u00f6re halk\u0131na ticari gelir kaynaklar\u0131 kazand\u0131rmak ad\u0131na, hem de ilimizin Co\u011frafi \u0130\u015faretli bir \u00fcr\u00fcn\u00fcn\u00fcn \u00dcr\u00fcn Turizminde yerini almas\u0131 ad\u0131na \u00fcretimi te\u015fvik edici projeler geli\u015ftirilmelidir.<\/p>\n\n\n\n
Cevat YANAR<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" D\u00f6\u015femealt\u0131 Hal\u0131s\u0131, \u0130l\u00e7emizde ya\u015fayan Y\u00f6r\u00fcklerin y\u00fcz y\u0131llard\u0131r s\u00fcrd\u00fcrd\u00fckleri bir gelene\u011fin ad\u0131d\u0131r. As\u0131rlarca \u00e7ad\u0131r\u0131nda kulland\u0131\u011f\u0131 yayg\u0131, odas\u0131n\u0131n duvar\u0131n\u0131 s\u00fcsledi\u011fi fon, \u00fczerinde namaz k\u0131ld\u0131\u011f\u0131 seccade olmu\u015ftur. Gen\u00e7 k\u0131zlar\u0131n \u00e7eyizi, atlar\u0131n heybesi, kap\u0131 \u00f6n\u00fcn\u00fcn paspas\u0131 olmu\u015ftur. Ask\u0131da ki ekmek torbas\u0131, divanlar\u0131n \u00f6rt\u00fcs\u00fc, urbal\u0131klar\u0131n hurcu olmu\u015ftur. Anla\u015f\u0131lan o ki Y\u00f6r\u00fckler i\u00e7in hayat\u0131n bir par\u00e7as\u0131 olmu\u015ftur. Peki, sizce D\u00f6\u015femealt\u0131 Hal\u0131s\u0131n\u0131 […]<\/p>\n","protected":false},"author":1,"featured_media":1264,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"class_list":["post-1797","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kose-yazilari"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/antalyapostasi.net\/index.php\/wp-json\/wp\/v2\/posts\/1797","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/antalyapostasi.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/antalyapostasi.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/antalyapostasi.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/antalyapostasi.net\/index.php\/wp-json\/wp\/v2\/comments?post=1797"}],"version-history":[{"count":1,"href":"https:\/\/antalyapostasi.net\/index.php\/wp-json\/wp\/v2\/posts\/1797\/revisions"}],"predecessor-version":[{"id":1798,"href":"https:\/\/antalyapostasi.net\/index.php\/wp-json\/wp\/v2\/posts\/1797\/revisions\/1798"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/antalyapostasi.net\/index.php\/wp-json\/wp\/v2\/media\/1264"}],"wp:attachment":[{"href":"https:\/\/antalyapostasi.net\/index.php\/wp-json\/wp\/v2\/media?parent=1797"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/antalyapostasi.net\/index.php\/wp-json\/wp\/v2\/categories?post=1797"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/antalyapostasi.net\/index.php\/wp-json\/wp\/v2\/tags?post=1797"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}